Why 2015’s Pop Music Scene Looks a Lot Like 1995’s: In These Times
Beyoncé made feminism fashionable. Lorde, Charli XCX, Miley Cyrus and Taylor Swift have since claimed the term; even the nominally apolitical Meghan Trainor made her name with a song about fat-shaming and Photoshop abuse, topics that used to be the exclusive province of feminist blogs.
All of this—coupled with pop culture's 20-year nostalgia cycle—has created the perfect climate for legacy feminist musicians to get more serious attention than they have in years. We’re only a month into 2015 and already, Sleater-Kinney has released its first album in ten years, Björk unexpectedly dropped a new album, and PJ Harvey began recording a new album as a live exhibit in Somerset House, a London art space.
But feminism's dominance can be a precarious thing.
Read more at In These Times.